after 7 years of staying out of the limelight, mille & mr.hirsch (playhouse, newpolish, r.a.n.d. musik and much more!) are back with new material. the new imprint owes its name to a group of berlin artists called apollo krieg who produce fashion, artworks and whacky installation art. with berlin as their base, mille & mr.hirsch hang around & see much of their work influenced by the work of this group and decided to name it after this group of artists – true to the motto: nowadays the guys from apollo krieg also produce music. side a: (apollo/alpha) golden age is the classical, heart-warming, romantic and seemingly never-ending deephouse epic which finds its place somewhere between detroit house, balearic, jazz and funk. it is always a tad larger than life and opulent in harmony and melody but, with due to its well-defined instrumentalization, it seems somehow traditional. this track has a 9-minute arc of suspence and is devoid of any drum-machine orgies and razzle-dazzle a unique piece of shit!side k: (krieg/kokain) kinky love is a bit more modern, with more track, less melody and less music. the mix of strong samples (e.s.p./kinky go) with slightly dark and deep functional track make this 8-minute track a potential floorfiller! best regards apollo krieg berlin

vinyl only! somewhere between detroit and far away galaxies. exploration brings you three timeless pieces of electronic music. the title track is a hypnotic stomper for the peak time, designed for these magic moments on the dancefloor. the b-side contains two deeper cuts, full of raw grooves, synth riffs and sound research!

coloured vinyl edition -- vinyl only! somewhere between detroit and far away galaxies. exploration brings you three timeless pieces of electronic music. the title track is a hypnotic stomper for the peak time, designed for these magic moments on the dancefloor. the b-side contains two deeper cuts, full of raw grooves, synth riffs and sound research!

obsession is really the programmatic title of tobias olivers work of the last years. two years after his digital winter / summer release in 2009 and the human technology debut with his electro band datawelt, it is really a obsession of him, to bring out his first solo release on vinyl. if you listen to this record, you will be sure, that tobias oliver was born in a electro disco somewhere in this world. the analogy to the old school electro sound can not be ignored, when he reuses the drum and percussion sounds of well known drum machines of the past, combined with bass and synthlines, pads and strings of analog synthesizers from the past and the future - at the latest by then - you will think, that you are really out of space!

young marco is a gentleman from amsterdam. this is his first offering for the esp institute. it makes us smile and we are sure you will smile too. with his head in the clouds, marco blends soaring melodies that harmonize beautifully over loop-de-loops of bass lines and bleeps. his warm analogue aesthetic invites us to his daydream, a place of innocence where we can do no wrong, dancing eyes-closed as the sun rises somewhere outside. this is pure feel good dance music, no gimmicks, no pretense, just right.

hot new mystery title from two high-ranking los angeles based producers!first edition on lush translucent orange vinyl in poly bag a fine and mysterious production here as two high-ranking los angeles based producers get to grips with the sounds and imagery from the cult 1960s sci-fi invasion film the monitors.think of an american version of the prisoner with a black-comedy twist and youre somewhere close.essential,forward-thinking house/techno music - 1st edition only on lush translucent orange vinyl!

secret masterpiece by peter baumann (under the alias hacoon mail) and hans brandeis. music that lies somewhere between space disco and minimal wave. beautiful synth structures with ledas mesmerizing vocals on top. one time small repress of this much sought after classic.

another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!

>and i heard a strange deep sound. as i got closer to that particular place, the music took a more stable form…i thought i already knew this sound from somewhere<… welcome to the musical world of exciting new amsterdam based producer simon weiss. coming over all early theo and moodymann-esqe, he clearly demonstrates a passion for all things detroit in terms of mood, melody, rhythm and texture. half bouncing feet, sweaty walls and concrete floors, half sophisticated, futuristic movie soundtrack score …simon weiss fits the description of a home taper absolutely perfectly. dance to it, close your eyes to it, but whatever you do listen to it. 100% house music with bits. play it all night long!!

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

we are happy to introduce a brand new act to the scene: dscrd, a young band of five alien electronic music composers from paris, france. in mountain cabins with high range microphones, in dark parisian suburbs with broken synths, and, really lost somewhere in outer space mostly of the time, dscrd have been creating their very own alchemy. this is their debut ep on dement3d records, and it is brilliantly blending techno, dub and ambient-noise with field recordings, dark atmospheres and syncopated rhythms made with poetry and dedication. >this record is a statement, and we are proud to present it as our very first release @ dement3d records.<

langer returns to uncharted audio wax for the first time since unch002 way back at the turn of the millennium. with four tracks of the highest quality techno and house, from dubby atmospherics to peak time shakers, this ep showcases all the elements of the second coming of langer, a reclusive individual currently based somewhere in london. with additional production assistance from kone-r on two tracks (athena and sensitive), this ep will turn ears from chicago to berlin and everywhere east, west and in between. counting carl craig, biosphere, basic channel, mark van hoen/locust and marcellus pittman among its various influences, anyone with an ear for quality electronic music will find something to love here.

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

this time its xdb delivering the goodies for dolly, as always pushing the boundaries between house and deep techno. with this 4 excellent cuts xdb is taking the label in even deeper territories. even though they are very well playable and will easily rock the floor, taking it up to somewhere between jupiter & mars, xdbs tracks are more than just proper dj-tools. so well-crafted, deep, harsh and hypnotising, but always firmly keeping floor contact with minimal yet funky drum programming, exactly as this kind of music should be. to top things of, brooks mosher on remix duties delivers a detroit inspired remix of sunda. big!

for their third release catapult records follow the organ grinders new age people & obsession with another taste of retro house this time from ratcatcher. bubbledub and nightlife are two classy house groovers that sits somewhere between strictly rhythm circa 94 and keri chandler in vibe.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

another grandios 12 inch from the untz untz records guys with a top notch remix package. this time its a hometown affair with all artist being from bergen, norway. so what is this then? is it house? is it prog? is it (dear we say it) almost trance? honestly we are not sure, but we know that it is balancing that magical thin red line somewhere in-between there and that it sounds powerful.

fresh from his huge shawty 12 inch on onemans 502 recordings, teeth continues helsinkis 2011 invasion with swarm/shift/sequence/spawn. spread over 2 pieces of vinyl, teeths heavy 808 usage manages to land somewhere between early dmz & source direct. limited copies with full artwork.

>they were from downtown, somewhere in soho and boy did they love that drum machine of theirs...< following the stellar trip down 80s lane with the bicep boys, mystery meat returns with two rip-roaring edits from soho808, another rising duo, but this time from across the pond in nyc. these fine gents have been causing an absolute ruckus over the past few months or so following appearances on soul claps social experiment 002 mix (not to mention doing an awesome podcast for soul claps acclaimed series) as well as jamie jones fabric 59 mix, berlins dikso imprint, and being featured on the wurst music ever compilation due out this fall. big tings a gwan to say the very least! here we see the chaps head into edits territory, well sorta. to call these edits is quite an understatement. soho808 give a serious overhaul to two songs of discos past, adding additional instrumentation and tweaking the arrangement big time. first up to bat is trouble and strife, an amazing, slow-burning take on one of the most famous of songs from the past couple of decades. trust us, you cant resist! flip it over for a loopy counterpart, low-slung, sultry female vox and all. mmmm, well bring our meat to suzys bbq any day!

limited 1st run on clear wax ! comes with colour a6 postcard ! following the success of their recent titles from rrose, sandwell now invite yves de mey aka eavesdropper and half of sendai (with peter van hoesen) to the party with a truck full of his analogue gear and a superb collection of finished tracks to boot. shades of frank bretschneider and alva noto collide providing a coherent insight into the mind of an artist clearly going somewhere..

after he caught our attention several times with a string of releases on such labels as quintessentials for example, we are very happy to introduce skipson as a new artist on our label. his influences can be found somewhere between labels like classic or music for freaks for example. these influences combined with a great passion for detroit house from the likes of kdj or andres create the very own skipson sound that we like so much and that always shows his ability to add something unique to his productions.

killekills next release comes from snuff crew, a crew you might and should have heard about. snuff crews mission is to bring back the fun on the dancefloors worldwide. the masked duo is known for their jacking live shows that combine the raw energy of early chicago and acid house with a fresh and modern sound. rumour has it that they come from >somewhere in germany<, but their sounds draw a very heavy influence from the original acid house city of chicago alongside italo-disco and old school techno flavours. the use of old school roland boxes as sound sources and almost non existent use of even basic effects means their sound is rough, raw and aimed squarely at the dancefloor. their records have been released on labels like skylax, gigolo records, rush hour, playhouse and many more, but the two guys also run their own imprint called snuff trax where they release music of jackmates like kink and neville watson as well as their own tracks and collaborations with artists such as legendary robert owens. thats enough for now with the name dropping. killekill has got a lot of great exclusive material from the guys but decided to release only two very strong and distinctive tracks for now: domo on the one side is a proper acid monster that will go down on dancefloors worldwide like a hurricane and leave the dancers breathless. eat this on the other side is a rudimentary chicago jack track that might well have been taken off a dance mania record from 1992. this track is working its way with nothing but a few drum tracks and a vocal sample and is pure raw sexual energy.

nice price deal !!! following critically acclaimed releases with mordant music and further records earlier this year, ekoplekz delivers his first album for punch drunk.
dispensing entirely with notions of accessibility and dancefloor friendliness, >intrusive incidentalz vol.1< is a 12 track collection of dark, oppressive atmospheres and violently unstable interludes, developed through studio improvisation and inspired by childhood memories of terrifying electronic soundtrack music from the 1970s, yet combined with a post-dubstep sensibility and a sense of dread informed by the social, economic and political climate of life in 2011. a bleak retro-futurist fantasy, or oblique soundtrack for a broken britain? the truth probably lies somewhere between the two.

somewhere up in the sky… thats the spirit, good and bad, for legends and other space-cowboys. the space for original characters like elbee bad, who did his thing back in new york in the 80ties with his early house ep on nu groove- with just a big bang and elbee was there, from the very beginning to now. by now he lives and works in berlin and yet remained a true school house pioneer that even dj hell couldnt resist to capture his talent for a retro-perspective release of his on >international deejay gigolo< & peepz like matias aguayo and his cómeme-posse recall on him.

played and supported by chris liebing, luke slater, speedy j, tommy four seven, audio injection, drumcell, dvs1, norman nodge, technasia, shifted, bcr boys, samuel l session and more.
we meet a new project, cool, and damn techno. design concept and sounds that rather than being projected towards europe, appear to come from europe, more precisely from somewhere dark and cold in the north of the continent. but no! the minds that conceived the project are all italian and lie along a line connecting cities like palermo and naples, at least for the moment. because as you might expect from the country s brain drain ... the releases, starting with the first (which will appear in the catalog as 000), will be all vinyl.

after being enclosed for several years with his mpcs and synthesizers, josé rico carries out the 5th downbeat 12 inch influenced by detroit and chicago. the record starts with september rain, a classic deep house track with warm percussion, deep synths and a jazzy piano. urtzi reworks it into a mesmerizing theme with spooky synths and a naïve bassline. then its on to stage, with raw drums, hammond and keyboards somewhere between tetrode and deep transportation. the record is closed by ciclico with a super-bass and a catchy melody. absolutely hypnotic. a diverse release for deep house lovers.

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

somewhere between center parcs in nottingham and the white sandy perfection of formentera reside two men dedicated to the art of horizontal dancing. their mums call them ampo and timm (funny names, those notts lads), though we know them by their collective name of coyote. in their minds eye, it is still 1986 and there are leathery looking germans with alarming posing pouches dancing to simply red records on the shimmering terrace at ku club while down the road alfredo is building his legendary reputation at amnesia. apart from the clued-up few, most of the brits are billeted in san antonio where the beers are cheap and the sunburn is plentiful. coyotes music, despite being produced in the east midlands conjures up a world of sun, sea and 80s glamour, while still sounding very much like today.

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

ok we can do a long text here... but lets not do that.... fantastic track by recast (aka fluxion)! a blissed-out track that is lush and jazzy! the experience of years of precision crafting dubby tech soundscapes is brought to these tracks, which are grooving house vibes executed in the melodic but quirky manner of isolee or luomo. lorca music is on remix duty here and did a great job with a clattering, skittering groove that is somewhere between 2-step and brokenbeat, the result is heavy and provides a nice alternative to the two recast versions. this is pure techno as we like it... not the banging big room techno, but techno we know from pioneers such as derrick may, carl craig, john beltran, stefan robber and the likes. no shit... this is just one of the most beautiful records we ve heard in a while.

ltd warehouse found.. last copies of legendary classic label

true to form, souvenir are back with a snappy summertime release perfectly hinged & ready for sweeping the dancefloors. souvenir 036 various artists features lewis boardman & maher daniel blending their sounds, and converging on this ep for some magnificent effects. the a side starts out with daniel - he is a new, but solid name amongst the techno-gambit, having released on labels such as get physical & bedrock, as well as on souvenir. while his remix workings of >rumblefish< earned him a 2 1/2 month long-spot as number one on the techno charts. with >here and now< with dark, driving techno that sounds like its been made inside of a blazing house-fire. burning & singed, the the layers fall heavy upon one another - with a penetrating dancefloor deep-ness to the bass. next up, >icaros< on the inside a track…spins a dark & deep nighttime soundscape, deep into the depths of a jungle somewhere. a distant & hollow vocal of a tribesman hums hauntingly in the distance, with a severe & driving bassline to make you run like a scared little raver deep into the jungle. on the b side, boardman takes over, one of the uks newest talents - recently remixing for nina kraviz & yousef - with >tranquilizer,< on b2 is quite a minimal retreat…with some intergalactic space-fight sounds thrown into the mix, alongside the rolling bass, and chug-chugging. b2 enters the title track, >the broken is beautiful.< a nice, chugging bass-line meets a ethereal chopped up vocal, carefully flowing in & out of the bass-line….to meet up strong midway thru the breakdown

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

nice price deal !!! the record is divided in 1 side hovatron tracks and 1 side remixes by some of the hot names around. side is is gypsy trader, super soaker and young blood soaked in his known style somewhere between hip hop, skweee and crunk: pure floor excitement! like his first release on lo-fi funk this one is a bumpy ride on the dancefloor.

the mex machine ep features 5 original tracks, each showcasing a different side of the toy selectah sound. >sonidero compay< is a big meeting of the minds, featuring the reggaeton king dj blass over a proper cumbia beat from toy. toy revs all the way up to 150bpm territory with >la ravertona<! (strap on your glow in the dark cowboy boots). most tracks fall somewhere in the middle of >sonidero compay< and >la ravertona<. toy teams up with mad decent label-mate mumdance for >anni riddim<, a good example of toys personal hybrid land. mex machine is a milestone release for one of the most exciting and influential artists coming out of mexico today!

kreuzberg is the project of drummer and composer andreas peters and dj jens strüver (borngräber & strüver, j.r. plankton). in their childhood they played in the same football club somewhere in west germany and met again 20 years later in kreuzberg / berlin. they realized that in their lives music always has been playing an important role and as their interests in musical styles where highly compatible they created the project kreuzberg. the tracks are based on drumset, vibraphone (bowed), other acoustic material comes from turntables, the bass is the only synthetic element of the record. the music is influenced by dub, club music, minimal music and conny-plank-krautrock

debut release on clone royal oak by morning factory. two tracks that turn every party into a house party! two tracks that go somewhere between the old and the new school with phat bass lines, filtered stabs, blissful keys and joyful piano and a cheeky vocal on the b-side cut. all that combined with slightly slower pace, powerful production. two killer tracks that makes the most stubern raver move his ass!

nice price deal !!! nastynasty a.k.a. jasper reeder is a us bay area dubstep producer whose planet mu debut pits a slither of pitch-altered mournful vocal melody against a rough modulated bassline and 8 bit chimes, to catchy and memorable effect.
on the b side - heterotic - a.k.a. mike paradinas and lara rix-martin put together a remix that is altogether more upbeat, pitching up and looping the sample while building loose panned drums and a rushing arpeggio into an optimistic almost romantic crescendo with sweet chords and glassy tones that sit somewhere between juke and synth pop.

reissue - cass mccombs, singer-songwriter born in northern california in 1977 and currently residing somewhere in that state, is set to release wit’s end, his fifth-and-a-half album and third on domino, on april 11th. the result of two years recording in various homes and studios in california, new york, new jersey and chicago, wit’s end was produced by cass with ariel rechtshaid, with whom he also created catacombs.sounds that conjure the colors purple and black, this is his darkest record to date. it seems he is going deeper into the mania of a man buried alive inside his self-made catacombs, banging the stone walls, crying to be let out, and enjoying the quiet away from the outside world. however, he is not a man afraid of his own shadow, for in this environment of complete darkness, no shadows can be cast. this is a world of total feeling. here, words become a catalyst away from the slavery of arbitrary thought and toward feeling.

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

very nice and dreamy techhouse somewhere between border community and marek hemmann.

tin mans voice is infamous, romantic, an expression of love, life and beauty, but also slowly fades away, covered in sleaze. and so is his music, a melodic and rhythmically bass driven art work somewhere in between acid, house, electronica and synth pop. great. don t miss his album perfume which is set to release in spring 2011.

this is the remix version of the sold-out 12 inch moon jocks n prog rocks and it features remixes from todd terje (2 remixes actually), montezuma as well as frisvold & lindbaek.
whether you find any truth in that or not, one thing is for sure, the new single by the printer-galactic troopers of mungol is one hell of a ride through the sonic wonders of discofied art involving one dudes rather merciless meeting with the (un)godly. it only happens occasionally, but it does happen. you have probably heard rumors, or read about it somewhere. maybe it even happened to you? with >moon jocks n prog rocks<, mungolian jetset have put it - literally - on the record: abductions by beatmongering disco aliens with prog-rock fetishes are on the rise, sometimes with hilariously fatal consequences, such as this tale of one unfortunate individuals meeting with the more funky forces of the cosmos.

pluseins no. 004 features three tracks of mike wall and tex rec, both individually outstanding artists and together at the same time one of the truly interesting production teams of our time. over the last years, mike wall has become known worldwide as one of the most popular german techno artists. a big remix get mike wall from logotech. his career has been developing at breakneck-speed since his first releases in 2008. heavily supported by many renowned artists in the electronic music business, their individual productions and collaborations have never failed to thrill their audience. their music has been described as deep and hypnotic, energetic and gliding, artistic and experimental. pluseins is very happy to release three absolutely faultless and haunting tracks of this highly promising production team. prepare for cutting edge techno by mike wall and tex rec, somewhere between creative chaos and futuristic genius.

emerson todds second release on upon you. the likable new zealander who moved to berlin via australia seems to spend his nights dreaming of the homelands. the cover and title of release number 046 are both inspired by the original natives of new zealand. emersons specially crafted sound is somewhere in-between jungle and metropolis , wild with details yet still beautifully melodic. the a1 track, >you got to< proves that a piano can kick you and a lovely little digital-topping can then combine everything into sweet dub-ness. as to be expected, the b-side is also alive with the artists agility and perfectly timed and placed thing and what-nots to turn any dance floor into an intense experience

kari guðmundsson aka. hypno hits teal002 with two exciting pieces lying somewhere inbetween dubstep, house and garage. koko is a hypy swingtime-jam ready to make dancefloors go nuts. thrilling percussive variations, deep sub hits and nutty samples. the more soulful, yet experimental analies, draws on hypnos signature percussion. adding sampled vocals, effective kick-drum patternshifts, takes the listener off-guard! truly, a top shelf twelve! dj supporting include: ramadanman / pearson sound, blawan, hackman and dj donga.

this is the new ep on alex nut’s ho tep recordings. created by fresh london based producer maulin featuring canadian vocalist amenta, deeper than the sun is a club track steeped in history, mythology and the cosmos. at 140 bpm its roots lie somewhere between dubstep, house and broken beat. the two varied productions on the b side are a taste of sounds to come, touching on hip hop, broken beat, uk funky and even musique concrete the talented young upstart delivers an array of styles, stitched together using his own eccentric brand of needle and thread.

3 selected tracks from fred ps third full-length cd album on proper 12 inch.